Make Yourself Uncomfortable

Make Yourself Uncomfortable

Important Terminology

Important Terminology

The Truth of the Body

The Truth of the Body

Rangoon, Burma: Creating a stage on a basketball court

Rangoon, Burma:  Creating a stage on a basketball court
A dozen workmen, teak wood, rubber cushioning, linoleum flooring can combine to make a professional-quality stage on an outdoor basketball court!

Pre-tour Planning

Pre-tour Planning
Going through the day-to-day with Aviva Geismar and the teaching artists from Drastic Action and Battery Dance Company

Burma - working with FSN's

Burma - working with FSN's
Nyi Nyi was one of the terrific Foreign Service Nationals at US Embassies overseas who have made our projects go. Here he is shepherding us at the airport in Rangoon.

Luggage

Luggage
I recommend Fibrecases -- these were purchased a dozen years ago, and yes, they look like it, but they've held up and they don't attract pilfering because they look so distressed!

380 Broadway, 2003

380 Broadway, 2003
Tomek Wygoda, whom we met through the Silesian Dance Theatre in Poland, came to New York to work on a solo with Jonathan. This piece was ultimately performance in Krakow at the European Conference on Tolerance with live accompaniment by the Cracow Klezmer Band.

Phnom Penh, Cambodia, 2006

Phnom Penh, Cambodia, 2006
Working with wonderful dancers from the Amrita Performing Arts, we tried out our newly minted Dancing to Connect project. Fred Frumberg and Kang Rithsal (seen in the yellow shirt) trusted us and facilitated our visit. Who knew that the King would return from Paris especially to see the performance??

Opera House, U.B., Mongolia 2008

Opera House, U.B., Mongolia 2008
Carmen and Mayuna outside the opera house. From the outside, the treacherous conditions are not visible (this is the place with the guttered stage floor.)

Waldorf & Waldkirch Schools, Freiburg, Germany, 2008

Waldorf & Waldkirch Schools, Freiburg, Germany, 2008
Carmen is working with visually disabled students in a Dancing to Connect workshop that brought them together with students from a Waldorf School.

Theater Freiburg, Germany, 2008

Theater Freiburg, Germany, 2008
No one could quite believe that students from 3 different schools could merge into a functioning team so fast as these kids did in their Dancing to Connect workshop with Sean and Mayuna

Beijing, 2008

Beijing, 2008
Master Class at the Chinese University of Nationalities, there's nothing like a little bit of humor to warm up the situation (Tadej is probably indicating that the dancers should get their weight forward, or else....)

Mongolia - 2008

Mongolia - 2008
Blazing Saddles? No - just our one day off in Mongolia with Tadej, Bafana, Carmen & Mayuna

380 Broadway - where it all begins and ends

380 Broadway - where it all begins and ends
From L to R: Carmen Nicole, Tadej Brdnik, Bafana Matea, Sean Scantlebury, Jonathan Hollander, Robin Cantrell, Mayuna Shimizu - this was the composition of our team as we prepared for the 2008 Asia Tour. Our new dancer Mira Cook and our production designers Barry Steele, David Bengali and G. Ben Swope are not pictured here.

Lucknow, India - 1997

Lucknow, India - 1997
This is a much more elegant version of the iron that was proffered by the humble gentleman backstage in Lucknow, but you get the idea!

Freiburg, Germany - 2006

Freiburg, Germany - 2006
DtC is hard work but fun too, bridging generations, backgrounds and transcending language barriers.

Nishinomiya, Japan - 2006

Nishinomiya, Japan - 2006
For its performance at Hyogo Performing Arts Center, BDC teamed up with Japanese duo-pianists and a choir, making the performance truly international and guaranteeing a full house

Taipei, Taiwan - 2006

Taipei, Taiwan - 2006
As part of its 2006 tour of Taiwan, which was anchored by a performance at the Taipei Arts Festival, Jonathan lectured to a group of corporate executives on Corporate Social Responsibility as it pertains to support of the arts. Adding an element such as this within an arts tour broadened the company's outreach and helped implant new ideas of corporate volunteerism, the importance of in-kind contributions and other aspects of corporate support utilizing BDC as a model.

Taipei, Taiwan - 2006

Taipei, Taiwan - 2006
Running a choreography workshop for the teaching staff of Cloud Gate Dance School cemented a relationship with Taiwan's leading contemporary dance company, adding content and depth to BDC's program in Taipei. The Company was invited to visit a rehearsal of Lin Hwai Min's new choreography and enjoyed a reunion with Bula Pagarlava and Nai-Yu Kuo, two dancers who had performed with BDC and who had moved up the ladder with Cloud Gate. ,

Freiburg, Germany - Dancing to Connect 2007

Freiburg, Germany - Dancing to Connect 2007
Tapping into the well-springs of students' creativity, we have learned over the past 6 years and across many countries that high school students, boys and girls, can find joy, build teams, open up new channels of communication and expression through dance. Most of these students had never set foot in a modern dance class, and yet their imaginations and explorations were unbounded.

Cleaning Costumes in Ulaanbaatar, 2008

Cleaning Costumes in Ulaanbaatar, 2008
Dealing with sweaty costumes on a long, multi-country tour is a huge challenge. Bringing a case of woolite and lots of plastic hangers is one way to deal with it. But sometimes the weather and conditions (and timing) are such that there is no opportunity to wash and dry before it is time to pack and go. And, if you are foolish enough to have some costumes that require dry cleaning (I am), then the problem is further compounded. And dry cleaning at a 5-star hotel is not advised unless you have a pocket full of cash that you don't mind spending. I was delighted to find a superb dry cleaner in Ulaanbaatar, Mongolia. We couldn't understand how there could be enough business in this very poor country to sustain such a thriving operation, but we certainly kept them busy for a day or so!

New York City - Downtown Dance Festival, August, 2006

New York City - Downtown Dance Festival, August, 2006
International Cultural Engagement is not a one-way endeavor. The fact that BDC produces New York City's longest-running outdoor dance festival gives us a wonderful public platform for presenting dance from around the world. Ocean of Light was the brainchild of Sanjay Doddamani, bringing together dancers from New Orleans with those from South Asia, in a cross-cultural production that recognized the anniversary of Katrina and the Asian Tsunami.

Poznan, Poland; Malta Festival, 2002

Poznan, Poland; Malta Festival, 2002
Just as friends lead one to other friends, and a network builds, international cultural engagement often thrives on individual partnerships, relationships, mutual respect. Such is the case with Battery Dance Company and Silesian Dance Theater of Poland. Jonathan met Jacek Luminski, Artistic Director of SDT in 2004, introduced by a mutual friend, Fulbright Senior Scholar and theater professor Juliusz Tyszka of the Adam Mickiewicz University in Poznan. The fruits of these relationships includes performances by SDT in New York, hosted by BDC; performances by BDC in Poland, hosted by SDT and the Malta Festival in Poznan which was launched by students of Juliusz', and on and on.

Monday, June 30, 2008

The German Press Connects with Dancing to Connect

Untertürkheimer Zeitung, June 24, 2008
“This Is How School Should Be!”
Untertürkheim: German-American Dance project at the Luginsland School
(Untertürkheim is part of Stuttgart)
Like a peacock the 16-year-old proudly struts to the beat of the music in the gymnasium. In the middle of the room she suddenly stays standing. With chin held high and hands folded on the back she remains in position. Little by little the students arrive; they kneel, lay, or lean on each other. Some bury their faces in their hands and others throw their arms up, confident that they have successfully mastered the dance step. Feelings such as happiness, sadness, and bashfulness are reflected in their faces. At a snail’s pace they change to another position, embodying another feeling. The ensemble is repeated several times. “Good job”, praises appreciative Bafana Solomon Matea.

Together with Robin Cantrell he leads the German-American Dance-Workshop “Dancing to Connect” at the Untertürkheimer Luginsland School. Collectively with the American professional dancers the students choreograph a dance themselves. They will be performing this dance at the opening event of “American Days” on June, 26 2008 in the Wilhelma Theater for invited guests. According to Friederike Schulte, the Program Specialist at the German-American Center in Stuttgart, approximately 15 Stuttgart schools applied for this project in March. During the selection process it was valued that all school types are represented.

For 6 days 7th and 9th grade students from the Luginsland School have rehearsed for their big day. Therefore they train 5 hours daily in the gymnasium. Communication problems between the students and English speaking dance instructors only existed on the first day. When Robin Cantrell described communication with the students, she said: ”Dancing is movement, it is a language through movement”. In an emergency or if necessary one of the teachers jumps in as a translator.

Initially the dance instructor explained that the students were scared to mess up when learning a new dance step. That is what modern dance is all about, creatively expressing oneself. The instructors simply advised the students to simulate the movements of a soccer player or of feelings. The translation of a dance movement is alone the student’s job. Ninth grade student Vera Cristina Monteiro da Silva thought it was great that the students were allowed to actively participate in the choreography of the dances.

“This is how school should always be”, stated the enthusiastic Detlef Schmidt-Glöckler, principal of Luginsland School. He has always hoped that his students could make positive news some day. Through the dance project “Dancing to Connect” his wish should be fulfilled.

Thursday, June 26, 2008

They did it!!!

"They" are the 100 kids from 5 Stuttgart high schools who dazzled the audiences at the Wilhelma Theater today! So much growth, so much composure, so much energy, so much esprit de corps!

We are sad to leave them behind but leave we must: Berlin awaits!

Hello Stuttgart! Welcome American Days!

Today's a big day: Battery Dance Company roosts in the jewel box Wilhelma Theater for two performances of Dancing to Connect. The real stars of the show are the 100 high school students who have worked tirelessly over the past 6 days with our teaching artists, and those of our partners in DTC, Drastic Action, creating five new dance pieces that are sure to inspire the audience today.

The Stuttgarter-Zeitung published a full page of photos and reportage yesterday and we've learned that the house will be jam-packed for both shows today.

Check back later for lots of interesting insights from the teaching artists!

Next up: Berlin and Freiburg!