Make Yourself Uncomfortable

Make Yourself Uncomfortable

Important Terminology

Important Terminology

The Truth of the Body

The Truth of the Body

Rangoon, Burma: Creating a stage on a basketball court

Rangoon, Burma:  Creating a stage on a basketball court
A dozen workmen, teak wood, rubber cushioning, linoleum flooring can combine to make a professional-quality stage on an outdoor basketball court!

Pre-tour Planning

Pre-tour Planning
Going through the day-to-day with Aviva Geismar and the teaching artists from Drastic Action and Battery Dance Company

Burma - working with FSN's

Burma - working with FSN's
Nyi Nyi was one of the terrific Foreign Service Nationals at US Embassies overseas who have made our projects go. Here he is shepherding us at the airport in Rangoon.

Luggage

Luggage
I recommend Fibrecases -- these were purchased a dozen years ago, and yes, they look like it, but they've held up and they don't attract pilfering because they look so distressed!

380 Broadway, 2003

380 Broadway, 2003
Tomek Wygoda, whom we met through the Silesian Dance Theatre in Poland, came to New York to work on a solo with Jonathan. This piece was ultimately performance in Krakow at the European Conference on Tolerance with live accompaniment by the Cracow Klezmer Band.

Phnom Penh, Cambodia, 2006

Phnom Penh, Cambodia, 2006
Working with wonderful dancers from the Amrita Performing Arts, we tried out our newly minted Dancing to Connect project. Fred Frumberg and Kang Rithsal (seen in the yellow shirt) trusted us and facilitated our visit. Who knew that the King would return from Paris especially to see the performance??

Opera House, U.B., Mongolia 2008

Opera House, U.B., Mongolia 2008
Carmen and Mayuna outside the opera house. From the outside, the treacherous conditions are not visible (this is the place with the guttered stage floor.)

Waldorf & Waldkirch Schools, Freiburg, Germany, 2008

Waldorf & Waldkirch Schools, Freiburg, Germany, 2008
Carmen is working with visually disabled students in a Dancing to Connect workshop that brought them together with students from a Waldorf School.

Theater Freiburg, Germany, 2008

Theater Freiburg, Germany, 2008
No one could quite believe that students from 3 different schools could merge into a functioning team so fast as these kids did in their Dancing to Connect workshop with Sean and Mayuna

Beijing, 2008

Beijing, 2008
Master Class at the Chinese University of Nationalities, there's nothing like a little bit of humor to warm up the situation (Tadej is probably indicating that the dancers should get their weight forward, or else....)

Mongolia - 2008

Mongolia - 2008
Blazing Saddles? No - just our one day off in Mongolia with Tadej, Bafana, Carmen & Mayuna

380 Broadway - where it all begins and ends

380 Broadway - where it all begins and ends
From L to R: Carmen Nicole, Tadej Brdnik, Bafana Matea, Sean Scantlebury, Jonathan Hollander, Robin Cantrell, Mayuna Shimizu - this was the composition of our team as we prepared for the 2008 Asia Tour. Our new dancer Mira Cook and our production designers Barry Steele, David Bengali and G. Ben Swope are not pictured here.

Lucknow, India - 1997

Lucknow, India - 1997
This is a much more elegant version of the iron that was proffered by the humble gentleman backstage in Lucknow, but you get the idea!

Freiburg, Germany - 2006

Freiburg, Germany - 2006
DtC is hard work but fun too, bridging generations, backgrounds and transcending language barriers.

Nishinomiya, Japan - 2006

Nishinomiya, Japan - 2006
For its performance at Hyogo Performing Arts Center, BDC teamed up with Japanese duo-pianists and a choir, making the performance truly international and guaranteeing a full house

Taipei, Taiwan - 2006

Taipei, Taiwan - 2006
As part of its 2006 tour of Taiwan, which was anchored by a performance at the Taipei Arts Festival, Jonathan lectured to a group of corporate executives on Corporate Social Responsibility as it pertains to support of the arts. Adding an element such as this within an arts tour broadened the company's outreach and helped implant new ideas of corporate volunteerism, the importance of in-kind contributions and other aspects of corporate support utilizing BDC as a model.

Taipei, Taiwan - 2006

Taipei, Taiwan - 2006
Running a choreography workshop for the teaching staff of Cloud Gate Dance School cemented a relationship with Taiwan's leading contemporary dance company, adding content and depth to BDC's program in Taipei. The Company was invited to visit a rehearsal of Lin Hwai Min's new choreography and enjoyed a reunion with Bula Pagarlava and Nai-Yu Kuo, two dancers who had performed with BDC and who had moved up the ladder with Cloud Gate. ,

Freiburg, Germany - Dancing to Connect 2007

Freiburg, Germany - Dancing to Connect 2007
Tapping into the well-springs of students' creativity, we have learned over the past 6 years and across many countries that high school students, boys and girls, can find joy, build teams, open up new channels of communication and expression through dance. Most of these students had never set foot in a modern dance class, and yet their imaginations and explorations were unbounded.

Cleaning Costumes in Ulaanbaatar, 2008

Cleaning Costumes in Ulaanbaatar, 2008
Dealing with sweaty costumes on a long, multi-country tour is a huge challenge. Bringing a case of woolite and lots of plastic hangers is one way to deal with it. But sometimes the weather and conditions (and timing) are such that there is no opportunity to wash and dry before it is time to pack and go. And, if you are foolish enough to have some costumes that require dry cleaning (I am), then the problem is further compounded. And dry cleaning at a 5-star hotel is not advised unless you have a pocket full of cash that you don't mind spending. I was delighted to find a superb dry cleaner in Ulaanbaatar, Mongolia. We couldn't understand how there could be enough business in this very poor country to sustain such a thriving operation, but we certainly kept them busy for a day or so!

New York City - Downtown Dance Festival, August, 2006

New York City - Downtown Dance Festival, August, 2006
International Cultural Engagement is not a one-way endeavor. The fact that BDC produces New York City's longest-running outdoor dance festival gives us a wonderful public platform for presenting dance from around the world. Ocean of Light was the brainchild of Sanjay Doddamani, bringing together dancers from New Orleans with those from South Asia, in a cross-cultural production that recognized the anniversary of Katrina and the Asian Tsunami.

Poznan, Poland; Malta Festival, 2002

Poznan, Poland; Malta Festival, 2002
Just as friends lead one to other friends, and a network builds, international cultural engagement often thrives on individual partnerships, relationships, mutual respect. Such is the case with Battery Dance Company and Silesian Dance Theater of Poland. Jonathan met Jacek Luminski, Artistic Director of SDT in 2004, introduced by a mutual friend, Fulbright Senior Scholar and theater professor Juliusz Tyszka of the Adam Mickiewicz University in Poznan. The fruits of these relationships includes performances by SDT in New York, hosted by BDC; performances by BDC in Poland, hosted by SDT and the Malta Festival in Poznan which was launched by students of Juliusz', and on and on.

Tuesday, September 29, 2009

Performance Night in Essen!

Wednesday night at 8 pm: Essen is the place to be to see the culmination of the Dancing to Connect workshops in Essen and Duisburg. 100 students from five schools will display their choreography at the gorgeous Lichtburg, Germany's largest film palace:
Check this link for further details:
http://www.lichtburg-essen.de/vera_090930_dancing_to_connect.php

Sunday, September 27, 2009

Best Dance Crew NRW!

For those of you who were skeptical, here's the hard evidence!
Jonathan joined German television dance stars Eva and Sisco as a Judge on Dance24.tv - BESTDANCECREWNRW...
Draw your own conclusions! Robin and Sean did a star turn in Sean's choreography as the special featured guests. Best Crew winners were Magic Explosion and Ku.ul J, and the Joker went to New Generation.

Sunday in Essen

Germans usually rest on Sunday, but many of the Dancing to Connect students have opted to rehearse again today! That's dedication for you. And speaking of dedication, all 10 teaching artists took part in a Company meeting last night from 10 - 11:30 pm in order to decide on the program order for the show on Wednesday, after having commuted to their various schools in the early a.m., taught all day long, and then prepared for their Sunday sessions today. Kudos all around!

Thursday, September 24, 2009

First day of Workshops in Essen & Duisburg

After a welcome orientation session last night, the teaching artists roused themselves bright and early and set out on their paths to five schools spread out across two cities. At the Stoppenberg school, Carmen, Bafana and I met the Lord Mayor of Essen who greeted the students and told them how proud he was of their courage in setting off on a new adventure.

Farewell to Sachsen Anhalt; Hello to North Rhine Westphalia

The train ride from Bitterfeld in the East to Essen in the West was a 6-hour affair, but no one minded it. The scenery was out of a story book and the rest after the previous night's exertions was a blessing.

Wednesday, September 23, 2009

Reflections from Teaching Artists; Reflections from Local Teachers

It was new for our dancers to use their imagination while they are dancing – not just what the counts and steps are…. How to feel is new territory. One of our students said, “when I’m dancing, I cannot think” – we said we’re not asking you to think, rather to feel while you are dancing. The challenge of the week was to let the movement express a feeling rather than simply memorizing a movement phrase.

This same student: the exercise was to write a letter to someone they were separated from. In the letter they had to express love, fear, what they would like to change and what they dream of.

These letters were confidential but they had to tell the story of the letter in the form of movement or gesture. Gesture equates to meaning. One student did a gesture that represented to her breaking down a wall – however, she did it balletically with pointed toes and straight leg and high extension; which took us away from her intended meaning. She succeeded finally but had to be reminded, “don’t make it look pretty… find a way to express the emotion that was included in the letter.”

After videotaping the rehearsal, we had the students watch their own creation. Even then it was hard for them to perceive imagery in the movement. It could have been shyness or fear of being wrong. Hard for them to understand that there isn’t sometimes a correct answer.

In each school I’ve taught, it doesn’t matter the level. But there is always this problem of assuming there is a right answer.

Sophie and Alessandra


I really want to thank you and especially your dancers for being in Dessau. It was such a great experience- for our students and for us teachers as well.  The dancers not only performed their own pieces in the show, they cared for the students, helped them to get stronger, more self-confident and gave them the inspiration they needed to choreograph. That`s much more than only performing on stage. so thank`s a lot again and I hope we`ll meet again and can work together.

Gabriele Gruhn, Philanthropinum, Dessau




Full house!

Last night was the first performance of Dancing to Connect, German Edition IV!
A full-house of over 700 people including young children, teens, adults and seniors flooded the Kulturhaus in Bitterfeld-Wolfen, and from the sound of their applause, they were not disappointed.

Sunday, September 20, 2009

Dessau-Rosslau; Wolfen-Bitterfeld

Visiting the dance workshops yesterday was a revelation as it has been in the past. Students summon up new ways of expressing themselves, teaming up, experimenting. Despite the natural shyness of many of the students, a glimmer of passion shows through. While in Halle on Friday, I was asked, "Don't you ever do a project that lasts more than one week?" I was rather surprised by this because it always seems like a major achievement when schools allow us to work for 6 days with their students (given the fact that these students are absent from their academic classes...)
However, here in this region, I see that a longer process would be advantageous. The extroversion required to dance and perform is not a natural attribute here. Each day new layers of reticence are peeled away and more of the spirit is allowed to surface. We're set for many surprises on Tuesday night when, at 6:30, the curtain will open at the Kulturhaus in Wolfen and five new pieces of choreography will be unveiled!

Monday, September 14, 2009

DANCING TO CONNECT, German Edition, Volume IV

Dateline: Dessau -- Our team of 12 has arrived in the former East German city of Dessau which is actually now the joined city of Dessau-Rosslau. The day after a 20-hour journey from New York, Barry Steele, our intrepid production designer and I went to the nearby Wolfen-Bitterfeld (yup, another joined city) where we reconnoitered with the technical crew at the Stadtisches Kulturhaus. Gabi Schuckelt, the wonder woman from the US Consulate Leipzig who coordinated all the details of our project here served as our chauffeur, translator and hospitality manager all rolled into one. As usual, Barry wasted no time in building team-spirit with the tech guys and promising them a full light plot by noon tomorrow. Meanwhile, the dancers were locating the local fitness center, and then were given a walking tour of Dessau by two delightful high school students who had practiced their English and carried out the role of tour guides with aplomb. We all ended up meeting with teachers and principals from all the schools that will participate in Dancing to Connect this week (I think there are at least 8 schools in all, representing 4 different cities). The meeting itself was a delight: Hosted graciously by US Consul General Katherine Brucker and Public Affairs Officer Jim Seward, we dined at the local Brasserie L'Appart and the delicious food and wines made a warm environment in which the orientation process could occur.