Make Yourself Uncomfortable

Make Yourself Uncomfortable

Important Terminology

Important Terminology

The Truth of the Body

The Truth of the Body

Rangoon, Burma: Creating a stage on a basketball court

Rangoon, Burma:  Creating a stage on a basketball court
A dozen workmen, teak wood, rubber cushioning, linoleum flooring can combine to make a professional-quality stage on an outdoor basketball court!

Pre-tour Planning

Pre-tour Planning
Going through the day-to-day with Aviva Geismar and the teaching artists from Drastic Action and Battery Dance Company

Burma - working with FSN's

Burma - working with FSN's
Nyi Nyi was one of the terrific Foreign Service Nationals at US Embassies overseas who have made our projects go. Here he is shepherding us at the airport in Rangoon.

Luggage

Luggage
I recommend Fibrecases -- these were purchased a dozen years ago, and yes, they look like it, but they've held up and they don't attract pilfering because they look so distressed!

380 Broadway, 2003

380 Broadway, 2003
Tomek Wygoda, whom we met through the Silesian Dance Theatre in Poland, came to New York to work on a solo with Jonathan. This piece was ultimately performance in Krakow at the European Conference on Tolerance with live accompaniment by the Cracow Klezmer Band.

Phnom Penh, Cambodia, 2006

Phnom Penh, Cambodia, 2006
Working with wonderful dancers from the Amrita Performing Arts, we tried out our newly minted Dancing to Connect project. Fred Frumberg and Kang Rithsal (seen in the yellow shirt) trusted us and facilitated our visit. Who knew that the King would return from Paris especially to see the performance??

Opera House, U.B., Mongolia 2008

Opera House, U.B., Mongolia 2008
Carmen and Mayuna outside the opera house. From the outside, the treacherous conditions are not visible (this is the place with the guttered stage floor.)

Waldorf & Waldkirch Schools, Freiburg, Germany, 2008

Waldorf & Waldkirch Schools, Freiburg, Germany, 2008
Carmen is working with visually disabled students in a Dancing to Connect workshop that brought them together with students from a Waldorf School.

Theater Freiburg, Germany, 2008

Theater Freiburg, Germany, 2008
No one could quite believe that students from 3 different schools could merge into a functioning team so fast as these kids did in their Dancing to Connect workshop with Sean and Mayuna

Beijing, 2008

Beijing, 2008
Master Class at the Chinese University of Nationalities, there's nothing like a little bit of humor to warm up the situation (Tadej is probably indicating that the dancers should get their weight forward, or else....)

Mongolia - 2008

Mongolia - 2008
Blazing Saddles? No - just our one day off in Mongolia with Tadej, Bafana, Carmen & Mayuna

380 Broadway - where it all begins and ends

380 Broadway - where it all begins and ends
From L to R: Carmen Nicole, Tadej Brdnik, Bafana Matea, Sean Scantlebury, Jonathan Hollander, Robin Cantrell, Mayuna Shimizu - this was the composition of our team as we prepared for the 2008 Asia Tour. Our new dancer Mira Cook and our production designers Barry Steele, David Bengali and G. Ben Swope are not pictured here.

Lucknow, India - 1997

Lucknow, India - 1997
This is a much more elegant version of the iron that was proffered by the humble gentleman backstage in Lucknow, but you get the idea!

Freiburg, Germany - 2006

Freiburg, Germany - 2006
DtC is hard work but fun too, bridging generations, backgrounds and transcending language barriers.

Nishinomiya, Japan - 2006

Nishinomiya, Japan - 2006
For its performance at Hyogo Performing Arts Center, BDC teamed up with Japanese duo-pianists and a choir, making the performance truly international and guaranteeing a full house

Taipei, Taiwan - 2006

Taipei, Taiwan - 2006
As part of its 2006 tour of Taiwan, which was anchored by a performance at the Taipei Arts Festival, Jonathan lectured to a group of corporate executives on Corporate Social Responsibility as it pertains to support of the arts. Adding an element such as this within an arts tour broadened the company's outreach and helped implant new ideas of corporate volunteerism, the importance of in-kind contributions and other aspects of corporate support utilizing BDC as a model.

Taipei, Taiwan - 2006

Taipei, Taiwan - 2006
Running a choreography workshop for the teaching staff of Cloud Gate Dance School cemented a relationship with Taiwan's leading contemporary dance company, adding content and depth to BDC's program in Taipei. The Company was invited to visit a rehearsal of Lin Hwai Min's new choreography and enjoyed a reunion with Bula Pagarlava and Nai-Yu Kuo, two dancers who had performed with BDC and who had moved up the ladder with Cloud Gate. ,

Freiburg, Germany - Dancing to Connect 2007

Freiburg, Germany - Dancing to Connect 2007
Tapping into the well-springs of students' creativity, we have learned over the past 6 years and across many countries that high school students, boys and girls, can find joy, build teams, open up new channels of communication and expression through dance. Most of these students had never set foot in a modern dance class, and yet their imaginations and explorations were unbounded.

Cleaning Costumes in Ulaanbaatar, 2008

Cleaning Costumes in Ulaanbaatar, 2008
Dealing with sweaty costumes on a long, multi-country tour is a huge challenge. Bringing a case of woolite and lots of plastic hangers is one way to deal with it. But sometimes the weather and conditions (and timing) are such that there is no opportunity to wash and dry before it is time to pack and go. And, if you are foolish enough to have some costumes that require dry cleaning (I am), then the problem is further compounded. And dry cleaning at a 5-star hotel is not advised unless you have a pocket full of cash that you don't mind spending. I was delighted to find a superb dry cleaner in Ulaanbaatar, Mongolia. We couldn't understand how there could be enough business in this very poor country to sustain such a thriving operation, but we certainly kept them busy for a day or so!

New York City - Downtown Dance Festival, August, 2006

New York City - Downtown Dance Festival, August, 2006
International Cultural Engagement is not a one-way endeavor. The fact that BDC produces New York City's longest-running outdoor dance festival gives us a wonderful public platform for presenting dance from around the world. Ocean of Light was the brainchild of Sanjay Doddamani, bringing together dancers from New Orleans with those from South Asia, in a cross-cultural production that recognized the anniversary of Katrina and the Asian Tsunami.

Poznan, Poland; Malta Festival, 2002

Poznan, Poland; Malta Festival, 2002
Just as friends lead one to other friends, and a network builds, international cultural engagement often thrives on individual partnerships, relationships, mutual respect. Such is the case with Battery Dance Company and Silesian Dance Theater of Poland. Jonathan met Jacek Luminski, Artistic Director of SDT in 2004, introduced by a mutual friend, Fulbright Senior Scholar and theater professor Juliusz Tyszka of the Adam Mickiewicz University in Poznan. The fruits of these relationships includes performances by SDT in New York, hosted by BDC; performances by BDC in Poland, hosted by SDT and the Malta Festival in Poznan which was launched by students of Juliusz', and on and on.

Tuesday, May 6, 2008

Snow & Sun in Ulaanbaatar

Again a multi-layered day with the Company split up into groups who fanned out across this city of the Steppes to teach, meet/greet, and learn about contemporary art and folkloric dance and music of Mongolia.

The streets were dusted with snow this morning as we left for our various assignments:

Bafana & Mayuna headed off to the University of Arts & Culture to teach a modern dance workshop and see a demonstration by the dance students;

Sean, Carmen and I went to the College of Music and Dance where we were first treated to a performance of classical ballet, followed by an exquisite Mongolian folk dance and finally the first modern dance choreography essayed by the school. Following the terrific showing by the students, Carmen took the helm and taught a hard-core modern dance class to which the students responded gamely. Standing in parallel position (after having learned for years to be turned-out) was a struggle, but they managed it and followed Carmen's lead through some twisting, turning and other modern moves. Sean raved about their response to hip-hop. I left early to join Barry at the theater where we packed the costumes and tech equipment, inspiring mirth among the wardrobe ladies whose haunt we occupied back stage. I don't think they'd ever seen a man folding and packing garments before.

A fabulous lunch at the new Black Pearl, hosted by Alexei Kral, our gracious Public Affairs Officer here, set us up for an afternoon schedule that included a meeting with two dozen bubbly 16-year-olds at the Educational Advising Resource Center. These kids, who have been learning English in a special after-school program twice a week, had lots of wonderful questions about New York, and comments to share about our performance last night -- wow! Perhaps Mongolia is breeding some dance critics and writers to help support the budding dance scene!

After some cashmere shopping (!), we finished off the day at the Saran Chuluu traditional song and dance ensemble performance. A group of 25 musicians and an equal number of dancers, sporting elaborate folk costumes, took us through a crash course in Mongolia's very rich performing arts traditions, including the famous throat singing and plenty more. We met some of the performers after the show and congratulated them on their superb show.

Tomorrow we're off to Beijing with a tear in our collective eye -- Mongolia has definitely worked its way into our hearts!

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